Anthony Mullins is a BAFTA, Emmy and AWGIE award-winning screenwriter, director and script producer. Ahead of his course, Adapting Your Novel for the Screen, we spoke to Anthony about his approach to screen adaptation and what we can expect from this exciting new course.

It’s always exciting to introduce the talented writers who will be joining us as scholarship recipients. Join us in wishing them well.

We are asked our current and recent scholarship recipients to reflect on their courses to date. Find out how their courses have made a difference to their writing.

Allen & Unwin, 15-time Publisher of the Year and Australia’s leading independent publisher, is seeking an enthusiastic and dedicated person to become our Receptionist and Faber Writing Academy Coordinator.

Writer and tutor, Ingrid Horrocks, tells us about the exploratory nature of creative nonfiction, what it’s like to write across genres, and what makes for a strong scholarship application.

Faber Writing Academy is delighted to announce the winners of the first round of the 2025 FWA Alumni Award, Rachel Bonnar and Lawrence Parmenter.

Building the discipline to generate abundant new material and developing the confidence to kill some darlings, scholarship recipient Joseph Falsone deepened and strengthened his draft.

We are pleased to announce a new merit award for graduates of our 2023 – 2025 Stay the Course, Edit & Submit Your Novel, Advanced Novel Workshop and Writing a Novel programs: the FWA ALUMNI AWARD.

We asked Alexandra Christie, an agent with Curtis Brown Australia, and Abigail Nathan, an agent with Alex Adsett Literary, all about agenting, and their involvement in our inaugural FWA ALUMNI AWARD. Here’s the inside story on their passion for their roles, as well as some invaluable advice to those who have just begun to submit their novels to agents. 

Ahead of Writing for Kids: Picture Books and Children’s Fiction, we spoke to Kate about the joy of working with an illustrator, what makes a work of children’s fiction stand out, and the importance of workshopping and being open to feedback as part of any creative practice.

Ahead of her intensive creative nonfiction course, we spoke to Sophia about how to spot a successful memoir manuscript, the challenges of writing about real-life people, and the memoirists she’s reading now.

Ahead of her short course, Writing Poetry, we spoke to Eileen about what attracted her to poetry, the highlights of her career, and the poets who have inspired her.

“The Game” is a story from Emma Hislop’s debut collection, Ruin and Other Stories, published by Te Herenga Waka University Press, and winner of the Hubert Church Prize for Fiction, for Best First Book at the 2024 Ockham NZ Book Awards. 

Ahead of his short course, Writing a Life, we spoke to Arnold about his omnivorous taste for all literary forms, the authors who enrich his life, and the importance of writers being attuned and open to the world, its landscapes and people.

Robyn Cadwallader will be a special guest speaker in our Writing Historical Fiction course with Lauren Chater.

The 2024 recipients of our Writing a Novel scholarship are halfway through their programs. Find out how the course has made a difference to their writing.

It’s always exciting to introduce the talented writers who will be joining us as scholarship recipients. Join us in wishing them well.

When Pip Fioretti enrolled in Writing a Novel in 2022, she’d already had three commercial fiction novels published.

Helen Signy’s new novel, Maya’s Dance, has just been published. We asked her about the process – its challenges and surprises.

With our intensive courses recently on a break and school holidays occurring, we asked our tutors about their writing practice during ‘downtime’.