Drawing on thirty years of experience both as an acclaimed writer across the genres and as a lecturer and teacher, Arnold Zable’s new 6-week program will explore the most imaginative and engaging ways to structure and write a life’s story. It will include writing exercises, feedback, mini-talks, and question and answer sessions.

Securing a literary agent is often an important step towards publication, with an agent acting as an intermediary between writer and publisher. But how do you know if you’re ready to submit your manuscript to an agent for consideration? It is hard for any writer to know if their work is really ready – an opinion from an expert is invaluable.

Securing a literary agent is often an important step towards publication, with an agent acting as an intermediary between writer and publisher. But how do you know if you’re ready to submit your manuscript to an agent for consideration? It is hard for any writer to know if their work is really ready – an opinion from an expert is invaluable.

Drawing on thirty years of experience as a writer of both fiction and creative non-fiction – sometimes powerfully merging the two – and as a lecturer and tutor, Drusilla Modjeska’s six-week program will explore how to draw on fictional techniques in the creation of vivid characters and stories from the lives of ‘real’ people.

Nonfiction can, in many cases, be sold to a publisher off the strength of a book proposal and a set of sample chapters. In this intensive, practical program you will be taught the essentials of putting together a solid working document to show to agents and publishers as a ‘proof of concept.’

Our encounters with art and with artists – be it through film, music, television, literature, visual art and more – can shape us indelibly, and provide rich material for our writing. Whether you are working on reviews, essays, poetry or even fiction, this cross-genre course will provide you with tools for thinking and writing about art.

Write your novel, and write it well…

comprehensive three month course builds on the work started in Writing a Novel: Stage 1 and is suitable for writers who have completed that course, or who have a substantially completed rough or first draft of a novel-in-progress. This course will develop craft and technical skills required to turn a rough draft into a work of art. Using exercises focused on your own work, you’ll finish the course with a deep understanding of the novelists’ craft and how it applies to your own novel.

Write your novel, and write it well…

This three-month course builds on the work started in Writing a Novel: Stage 1 and is suitable for writers who have completed that course, or who have a substantially completed rough or first draft of a novel-in-progress. This course will develop craft and technical skills required to turn a rough draft into a work of art. Using exercises focused on your own work, you’ll finish the course with a deep understanding of the novelists’ craft and how it applies to your own novel.

Write your novel, and write it well…

A comprehensive three month course builds on the work started in Writing a Novel: Stage 1 and is suitable for writers who have completed that course, or who have a substantially completed rough or first draft of a novel-in-progress. This course will develop craft and technical skills required to turn a rough draft into a work of art. Using exercises focused on your own work, you’ll finish the course with a deep understanding of the novelists’ craft and how it applies to your own novel.

Write your novel, and write it well…

This three-month course builds on the work started in Writing a Novel: Stage 1 and is suitable for writers who have completed that course, or who have a substantially completed rough or first draft of a novel-in-progress. This course will develop craft and technical skills required to turn a rough draft into a work of art. Using exercises focused on your own work, you’ll finish the course with a deep understanding of the novelists’ craft and how it applies to your own novel.

Are you a new writer for children? This one-day course offers an understanding of what goes on inside a publishing house, how publishers make their choices, how to give yourself the best chance of publication and what to expect from the publishing process.

Join us to celebrate 10 years of the Faber Writing Academy in Australia, with this very special seminar designed and led by Richard Skinner, the Director of the Fiction Programme at the Faber Academy in the UK and the creator of the flagship ‘Writing a Novel’ course.

Are you a new writer for children? This one-day course offers an understanding of what goes on inside a publishing house, how publishers make their choices, how to give yourself the best chance of publication and what to expect from the publishing process.

Revision and redrafting are essential parts of building a successful manuscript – so understanding how to edit yourself is a necessary step in learning how to write well. Editing yourself as a writer is an important skill to develop before starting out, and crucial to hone as you continue working on your manuscript.

Revision and redrafting are essential parts of building a successful manuscript – so understanding how to edit yourself is a necessary step in learning how to write well. Editing yourself as a writer is an important skill to develop before starting out, and crucial to hone as you continue working on your manuscript.

Project plan your manuscript with one-on-one consultations with a leading writer.

You will be paired with a leading author for a series of fortnightly one-on-one consultation sessions to discuss your work, and help you negotiate the roadblocks and challenges you might be facing.