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Writing Middle Grade and YA Fiction

w/ Shivaun Plozza + special guest Bec Kavanagh

Do you have a strong idea for a middle grade or young adult novel but you’re struggling to get started? Or perhaps you’re part way through, you’ve run out of puff, and you’d like some fresh perspective? Books written by adults for younger readers have their own parameters and problems to solve. In an intimate class of up to 12 fellow authors, tutor Shivaun Plozza will help get your writing flowing so you can feel confident in bringing your story to life.

Thursdays 6.30pm – 8.30pm (AEST/AEDT)
4 September – 6 November 2025

$820 or $102.50 per week

$697 or $87.12 per week (alumni)


Writing Middle Grade and YA Fiction is an eight-week course for authors starting out with a novel for young readers. If you have a strong idea for a children’s or young adults’ novel but no words on the page, or you’re halfway through a draft and you can’t seem to keep up momentum, this course is designed to get you writing. Each session will focus on a different aspect of craft, such as character, setting, world-building, structure, and form, through a young reader’s sensibility. Participants will write from prompts, workshop their material and discuss ideas. Each week there will be readings that explore aspects of YA or MG fiction, in literary theory and in the current marketplace. Good writing is good writing no matter what the category, but if you’re writing for a young audience, it helps to know what else is out there.

The main challenge for adult writers of YA and MG fiction lies in finding an authentic voice, writing from a place of astonishment, and meeting the young reader where they are. Writers for children and young adults understand that their work is for developing selves – that it has the potential to be formative.

Your course includes:

  • 8 weeks of 2 hour evening tutorials;
  • Whole-class workshopping on the first 2000 words of your novels, including personalised feedback from your tutor;
  • A complimentary copy of a recent YA or middle grade A&U publication;
  • On completion of the course, alumni discount of 15% on future Faber Writing Academy courses and books from the Allen & Unwin website.

Writers you'll be working with:

Shivaun Plozza

Shivaun Plozza’s critically acclaimed debut novel, Frankie, was nominated to ALA’s Best Fiction for Young Adults List, highly commended at the Victorian Premier’s Literary Awards, shortlisted for the CBCA Book of the Year Awards, and won the Davitt Award for best YA crime novel. Her second novel, Tin Heart, was nominated to ALA’s Best Fiction…

Course outline

Please note, the first four classes will be held at AEST

Session 1: Thursday 4 September
Australian MG and YA
In this intro week we dive right into the nitty gritty of Australian MG and YA to look at trends, tropes, audiences, rules (are there rules?) and rulebreakers. Importantly, we consider where you and your story fits into the wider landscape of Australian stories for young people and ask: What do you want to write and why do you want to write it?

Session 2: Thursday 11 September
Characters
This week we’ll delve into character development and ask: Who are your characters and what drives them? What are the defining experiences that guide their thinking? Who supports them or thwarts them? How can we give them agency, and why is that important in MG and YA?

Session 3: Thursday 18 September
Plot
How do you develop a plot that really packs a punch for young readers? This week we’ll consider how to craft a plot that appeals to even the pickiest of young people, and how to refine your ideas to create a story that stands out from the pack.
(Workshopping)

Session 4: Thursday 25 September
Structure
This week we’ll look at outlining, story beats and frameworks, and focus on how to ensure your plot contains rising tension and solid pacing.
(Workshopping)

Two week break.
Please note, all following classes will be held at AEDT.

Session 5: Thursday 16 October
Character arcs
It’s not just your plot that needs structure. How do you effectively map out your character’s emotional journey over the course of the novel into something relatable, engaging and full of rising tension? We’ll apply structural techniques to help you chart your character’s growth across the story.
(Workshopping)

Session 6: Thursday 23 October
Place and space
In adolescence all worlds pulse with both enchantment and risk. This week we look at setting and world-building for MG and YA stories, mapping out the limitations, logistics and possibilities of your story worlds.
(Workshopping)

Session 7: Thursday 30 October
Voice
‘Voice’ is often the number one craft element publishers identify when asked what they look for in a good story. But what makes a voice engaging and how do you craft it? This week we’ll uncover concrete ways to craft an engaging voice and look at why authenticity of voice is so vital.
(Workshopping)

Session 8: Thursday 6 November
Where to next? With guest Bec Kavanagh
In our last class we’ll make a plan that goes beyond the course. We’ll think about the best ways forward. What stands between us and our finished manuscript? What tips or tricks or routines might serve us? What does publication actually look like? How do we find our place in the current industry?
(Workshopping)

The content listed is comprehensive but is a guide only. The exact course content could be adjusted according to the experience and concerns of the group and availability of guest writers. The detail of the course is at the discretion of the course director and Faber Writing Academy at Allen & Unwin.

How to Book

Includes 10% tax

To secure your place in Writing Middle Grade and YA Fiction, you can pay the full course fee ($820/ $ 697 alumni) or weekly instalments ($102.50 / $87.12 alumni).

If you choose to pay instalments, eight instalments of $102.50/ $87.12 alumni will be automatically charged to the nominated card weekly (including the first payment).