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Writing a YA Novel

w/ Shivaun Plozza and guests

YA fiction is amongst the bestselling genres in Australia, read avidly by teenagers and adults alike—but how do you start writing for this highly engaged community of readers? In this special course, you will carefully study YA’s complex set of rules and conventions, while working towards completing a full first draft of your manuscript.

Wednesdays 6.30pm – 8.30pm (AEDT/AEST), 25 February – 23 September 2026

$4400 or $440 per month

$3740 or $374 per month (alumni)

See below for early bird discount and save $500.


Young Adult (YA) fiction is an introduction into the world of reading and flights of imagination, and is many readers’ first true love. Writing YA novels, however, can be daunting. How do you write for a teen audience while retaining an authentic, believable voice? This course will lead you through the key tenets of writing for young adults.

Across 22 sessions, you will be taught by industry expert Shivaun Plozza, who will guide you through the ins and outs of YA writing. Writing a novel for young adults might look simple on paper, given that YA is often shorter than adult fiction and the distance to travel may look more achievable. However, YA fiction is just as complex as adult fiction when it comes to developing themes and characters.

Working in a small group and using extracts from a range of successful contemporary novels, you will explore the themes and concepts of YA—including character, setting, world-building, structure and form—and will learn how to apply these insights to your own writing through a range of practical exercises. By the end of the course, you will have a solid story plan and will be working towards a completed first draft of your own YA novel. You will also develop the necessary skills to tackle revisions and pitching.

Presented by Australia’s leading independent publishing house, Writing a YA Novel is a targeted program specifically designed to help you find the focus you need to stay the distance and finish your manuscript draft throughout the year. During this time, your Course Director will provide you with:

  • Feedback on ~10,000 words of your work-in-progress, delivered through a mixture of whole-class workshops, and 1 x personalised individual one-on-one consultation.
  • Regular online classes covering everything from research, narrative structure and style.
  • The ability to connect with fellow committed novelists, building a close-knit community of trusted readers.
  • The opportunity to establish valuable industry connections with key insiders from the Australian publishing industry. There is no better way to get on the road to publication than to meet the people who know the industry inside-out.

In addition to dedicated course work, students who are submission-ready upon the completion of Writing a Novel will have the opportunity submit to the Faber Writing Anthology, a showcase of student work sent out to leading literary agents and publishers in both Australia and the United Kingdom, and launched at a bespoke industry party.


Writers you'll be working with:

Shivaun Plozza

Shivaun Plozza’s critically acclaimed debut novel, Frankie, was nominated to ALA’s Best Fiction for Young Adults List, highly commended at the Victorian Premier’s Literary Awards, shortlisted for the CBCA Book of the Year Awards, and won the Davitt Award for best YA crime novel. Her second novel, Tin Heart, was nominated to ALA’s Best Fiction…

Course outline

This course consists of 22 x evening sessions, Wednesdays, 6.30 – 8.30pm (AEDT/AEST), and a 1hr one-on-one session for each student with Shivaun to take place outside course hours as well as regular in-class workshopping. 

Session 1: February 25
Introduction: Meet your tutor and solidify your intentions for the course. We’ll also take a broad look at YA: is a genre or not? If so, what are the genre conventions? Who reads YA? Why is YA important? What makes a book YA or not?

Session 2: March 4
Plot: What makes a story ‘YA’? How do you find the right plot beats to generate a compelling story? How are various plot threads woven together to form a cohesive and engaging plot?

Session 3: March 11
Structure: Beginnings, middles and ends: How do you hook a reader from the first line and sustain their interest throughout the novel? How do you maintain an intensity and momentum that will engage a YA reader?

Session 4: March 18 + Guest
Characters: Who is at the heart of your novel and why? How do they drive the story? How do you bring characters to life? How do you construct a character’s emotional arc?

Session 5: March 25
Point of view and perspective: How do you choose a POV and tense to best tell your story? How does your POV character’s perspective impact the way the story is told?

Session 6: April 1
Voice: How do you create and sustain a distinct narrative voice? What impact do your word choices have on the way a reader encounters your story? How do you create an authentic and engaging narrative voice?

COURSE BREAK

Session 7: April 29
Workshop Intensive 1: To complement our weekly workshopping, here we’ll split into smaller groups for intensive workshopping.

Session 8: May 6
Dialogue: How does dialogue impact plot and character? How does everyday speech differ from dialogue? Tips for crafting character-specific and authentic dialogue.

Session 9: May 13 + Guest
World-building: How do you build a story world that is consistent, authentic and engaging? What pitfalls are best avoided?

Session 10: May 20
Place and setting: How do you create a variety of settings that are active, not passive, and that interact effectively with plot and character? What does each setting reveal about the characters? How do you situate your characters in each scene?

Session 11: May 27
The anatomy of a scene: How do you structure a compelling scene? How do you ensure that each scene best serves the overall narrative intention? What is the difference between scene and summary? How do you choose when to use one or the other?

Session 12: June 3
Backstory, time-shifts and narrative time: We’ll explore how to handle the shifting of time in your story, as well as when and how to effectively utilise backstory.

COURSE BREAK

Session 13: July 22
Workshop Intensive 2: To complement our weekly workshopping, here we’ll split into smaller groups for intensive workshopping.

Session 14: July 29 + Guest
Theme, imagery and symbolism: What is your story about? What is it really about? And how can you create powerful images that bring these themes to life using sensory detail?

Session 15: August 5
Structural Editing: Structural editing focuses on refining your story’s ‘big picture’ elements, such as characterisation, plotting/pacing and themes. We’ll go over the key stages of a structural edit and how you apply a ‘big picture’ analysis to your story.

Session 16: August 12
Close editing: Here we’ll look at the nuts and bolts of editing, making sure we know what red flags to look for at sentence level, and learning some tips and tricks to whip a manuscript into shape.

Session 17: August 19
Editing Intensive: We’ll dive deeply into everything we’ve learned about editing to undertake a series of intensive drafting activities designed to draw out the best of your story.

Session 18: August 26
Synopsis, cover letters and more: Here we’ll look at everything you need to create to submit your manuscript to publishers or agents, including plenty of tips and tricks for crafting the most enticing submissions.

Session 19: September 2
Pitching and Pubic Speaking: What’s your elevator pitch? We’ll be talking industry and sales, and putting together (and practicing) a compelling pitch to get readers and publishers interested!

Session 20: September 9 + Guest
Agent Q & A

Session 21: September 16 + Guest
Publisher Q & A

Session 22: September 23
The wrap up: After revisiting your intentions and celebrating your successes, we’ll discuss where to next, set new goals for the future and discuss the current market landscape for YA.

The exact course content could be adjusted according to the experience and concerns of the group and availability of guest writers. 

Praise for this course

“It’s hard to fault any aspect of this course.”

“…I rocked up to this course with only the whiff of an idea…I am ending the course with roughly 50,000 words and a much better outlook on where things are heading.”

“I had a great time, met a bunch of lovely people and am incredibly grateful to Bec and Shivaun.”

How to Apply

To apply for Writing a YA Novel  you will first have to submit an application here.

As part of this application, you will need to include a 1000 word writing sample from your novel-in-progress, and let us know if you’d like to be considered for a full scholarship.

Please note that $3900 is the special early bird price. $4400 is the full price. The alumni discount applies to both prices.

Important Dates:

Scholarship Deadline: 26 October, 2025, 11:59pm

First round offers made by 4 December, 2025.

Scholarship Announced: 4 December, in our newsletter.

Earlybird Discount Expires: 11 December, 2025

We will continue to accept applications for paid places after this date, until the course is full.