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The Book Proposal

w/ Rebecca Giggs

Nonfiction can, in many cases, be sold to a publisher off the strength of a book proposal and a set of sample chapters. In this intensive, practical program you will be taught the essentials of putting together a solid working document to show to agents and publishers as a ‘proof of concept.’

12 November – 17 December 2022

3 x Saturday sessions and  6 x evening sessions

 

 

Course fee: $ 1,200/$ 1,020 alumni


This is a past course.

Building on the foundational skills of writing nonfiction – concept proofing, research and reporting, genre conventions, understanding personal connection to material, structure and form – this tailored program is designed to give you dedicated space to build a compelling and captivating book proposal.

Working with acclaimed nonfiction writer, Rebecca Giggs, you will have time and expert guidance to workshop strong sample chapters and a synopsis with genuine cut through. You will discuss the ‘hook’ of your book – and ensure this is the book that only you can write – and to reflect on what makes your project unique. You will develop a clear understanding of how your manuscript might fit in the marketplace and who its readers will be.

This course will cover foundational topics across two consecutive Saturdays, before moving to intensive workshopping over two consecutive weeks, to shape and finalise your book proposal.

 

Students who complete this course in 2022 will have the opportunity to be published in The Faber Writing Anthology which is distributed to publishers and agents in Australia and the UK.


Writers you'll be working with:

Rebecca Giggs

Rebecca Giggs is an author from Perth, Australia. Her work has appeared in The Atlantic, Emergence, the New York Times Magazine, Granta, and in anthologies including Best Australian Essays, and Best Australian Science Writing. Rebecca’s nonfiction focuses on how people feel towards animals in a time of technological and ecological change. Rebecca’s debut book Fathoms: The…

Course outline

Session 1: Saturday 12 November, 10am – 3pm

Introduction to the book proposal
• Market context
• At what point in the project should I write a book proposal?
• Key components;
• Style of address and articulating expertise;
• Identifying readership;
• Outlining guiding questions and themes;
• Genre and sub-genre.

Session 2: Saturday 19 November, 10am – 3pm

Introduction to the book proposal cont.
• Two meetings to think about in refining your book proposal;
• Synopsis and overview;
• Inducing curiosity;
• Book structure: several different approaches;
• Chapter breakdown;
• Opportunities for marketing and promotion;

[Two week self-directed period in which students draft their proposals]

Intensive workshopping sessions

  • First round of Workshopping: 6, 7, 8 December [evening sessions, 6:30pm-8:30pm]
  • Second round of Workshopping: 13, 14, 15 December [evening sessions, 6:30pm-8:30pm]

Final session: Saturday 17 December, 10am – 1 pm
• Where to now?
• Query letters and agents
• How to process feedback.

Praise for this course

“Rebecca was really informative, she tailored the content to us and what we wanted as well as providing what was on the original course outline.”

“Rebecca was very generous with her knowledge, experience and advice – I really enjoyed her teaching style. It was also insightful, interesting and much appreciated to have authors and an agent join us to share their experience & perspective.”

“It is the best value for money writing course I have done to date – thank you!”

How to Book

This is a past course.