Kathryn Heyman

Writing a Novel: Stage 2

with Kathryn Heyman or James Bradley + guests, including leading industry agents/publishers

23 July - 1 October 2019 (3 months)

Allen & Unwin
83 Alexander Street
Crows Nest NSW 2065
Get directions
(Please note access is via stairs)

Course fee:
$3,250 / $2,760 alumni

Write your novel, and write it well.

A comprehensive three month course builds on the work started in Writing a Novel: Stage 1 and is suitable for writers who have completed that course, or who have a substantially completed rough or first draft of a novel-in-progress. This course will develop craft and technical skills required to turn a rough draft into a work of art. Using exercises focused on your own work, you'll finish the course with a deep understanding of the novelists' craft and how it applies to your own novel.

• Benefit from the structure of regular classes covering everything from playing with genre, the power of what is unspoken and using scenes and narrative summary to maintain momentum.

• Learn from our experienced Course Directors, as well as guest tutors including top authors, and agents/publishers.

• Receive personalised, one-to-one attention on your project from your tutor.

Get it done. When undertaken with Writing a Novel: Stage 1, this is a flexible alternative to a creative writing MA, designed for people who might be considering a career and who are prepared to engage fully in the hard work involved. Apart from the workshops, you will be devoting as much time as possible between classes to writing.

Receive invaluable feedback by having the chance to present your work to your class of other committed novelists.

Start your career with unrivalled access to those who know. There is no better way to get on the road to publication than to meet the people who know how to make that happen. Hear talks from people in the industry, then read to a room of agents at course completion.

Please note that while Writing a Novel: Stage 1 and Writing a Novel: Stage 2 are designed to build on each other, each may be taken as a stand-alone course. Talk to us if you need guidance on which one is best for you.

Please note that students completing Writing a Novel Stage 1 will have first preference for places in Writing a Novel Stage 2. Places for new students can only be offered if an existing student chooses to discontinue. We will advise new applicants of the availability of places as soon as possible.

Praise for Writing a Novel

‘The exercises allowed people to experiment at their own pace and skill level. The structure provided myriad resources and lots of inspiration.’ - Kim, 2017

'I have done writing courses before but this far outstrips any of them: the fundamentals of voice, plot, turning points, technical structures, have been invaluable. Engaging, encouraging and incredibly knowledgeable.' – Lindsay, 2016

'I found every single session of Writing a Novel useful and productive. I have always worked alone and had reservations about a long program of close work with a group but it has been a wonderfully rewarding experience. I cannot think of a thing that could have been done better or that I would want done differently.' – Janine, 2015

About the Course Directors


Kathryn HeymanKathryn Heyman is the author of six novels, most recently Storm and Grace. She has won numerous awards including an Arts Council of England Writers Award, the Wingate and the Southern Arts Awards, and been nominated for the Orange Prize, the Scottish Writer of the Year Award, the Edinburgh Fringe Critics' Awards, the Kibble Prize, and the West Australian Premier's Book Awards. Her radio plays for BBC Radio include adaptations of her own work.

Kathryn has taught writing for many years, including serving Scottish Arts Council Writing Fellow for the University of Glasgow, and teaching fiction and poetry for the University of Oxford. From 2011 – 2013, she was the Senior Judge for the New South Wales Premier’s Literary Awards, and an advisor to the awards team in 2016. As well as being the Program Director for Faber Writing Academy in Australia, Kathryn Heyman is the director of the Australian Writers Mentoring Program and is a Conjoint Professor in the School of Humanities and Social Sciences at the University of Newcastle.

James Bradley

James Bradley is an award-winning writer and literary critic. His books include the four novels Wrack, The Deep Field, The Resurrectionist and Clade, and a book of poetry, Paper Nautilus. He is editor of The Penguin Book of the Ocean, and has written a trilogy of young adult novels, the first of which, The Silent Invasion, was published in 2017 and the second The Buried Ark in 2018. His literary criticism and journalism has appeared in The Times Literary Supplement, The Guardian, The Washington Post, The Australian Literary Review, Australian Book Review, The Monthly, Locus, The New York Review of Science Fiction, Griffith Review, Meanjin, Heat, The Sydney Morning Herald and The Age. In 2012, he was awarded the Pascall Prize for Criticism.

About the guests – watch this space. Previous guests have included Andrew O’Hagan (UK), David Malouf, Margo Lanagan, Charlotte Wood, Ross Grayson-Bell, Louise Doughty (UK) plus agents and publishers.

Course Program

The course consists of:

11 x evening sessions (Tuesdays 6.30pm-8.30pm) + 3 x full-day sessions (Saturdays 10am-4pm)

The content listed below is comprehensive but is still a guide only. The exact course content could be adjusted according to the experience and concerns of the group and availability of guest writers. The detail of the course is at the discretion of the course director and Faber Writing Academy at Allen & Unwin.

Session 1: Tuesday 23 July
Taking Stock: What do you know, what is unknown (and why this matters). Listening to your characters and finessing voice.

Session 2: Tuesday 30 July
Scenes: what a scene is, what is does, and how to make them work. Using action and reflection scenes to build momentum.

Session 3: Tuesday 6 August
Structure: Heroism and vulnerability. Structure that transforms. Guest tutor - Ross Grayson Bell (developer and producer of Fight Club).

Session 4: Saturday 10 August
Exposition and backstory: How to write and edit narrative summary (and why we need it). Using summary to maintain momentum.
Pacing and the passage of time. Individual mentor sessions.

Session 5: Tuesday 13 August
Character: Three ways into character. Making use of the unspoken and revealing character on the page.

Session 6: Tuesday 20 August
Dialogue: Listening; recording; pace; precision. Imagined truth and overheard truth.

Session 7: Tuesday 27 August
Place and setting: making the setting do narrative and emotive work. Bringing place to life. Infusing place with mood.

Session 8: Saturday 31 August
Turning points - making use of internal and external change. Moving pieces around to creatie a structure that's true to your story. One-to-one mentor sessions.

Session 9: Tuesday 3 September
(Re)writing the Beginning. How to find the right place to start now that you know where you are.

Session 10: Tuesday 10 September
Endings: getting the balance right. Have you fulfilled the promise and answered the question? How much satisfaction is enough? Staying true to style and world.

Session 11: Tuesday 17 September
Editing Boot Camp - Rewriting revisioning and the final edit.

Session 12: Saturday 21 September
Guest: presentation and pitching. In this special session students are coached by a skilled actor/director in using performance skills for presentations and readings, and also for pitching.

Session 13: Tuesday 24 September
Guest publisher.

Session 14:Tuesday 1 October
Final session: moving on, maintaining momentum.

N.B. In November, students will have an option to take part in the launch of the Writing a Novel Anthology 2019 which includes a reading to industry guests.

How to Apply

N.B. You will not be charged at this stage of the application. If you are successful in securing a place on the course, we will email you the link to pay the deposit online.

When you apply you will be asked to separately forward a cover letter briefly stating any writing experience and an overview of the idea for the novel identifying its present stage of development. Applicants are also required to submit a 2,500 word sample of prose. This process ensures that all applicants are applying for the course best suited to their needs and allows the tutor to familiarise themselves with your work. Please include your name and ‘Sydney’ or ‘Melbourne’ in the title of all documents that you submit depending on where you would like to complete the course. Email material to:faberwritingacademy@allenandunwin.com

Payment details

Successful applicants will be asked to pay a deposit of $1,100 (Faber Writing Academy Alumni are entitled to a 15% discount off the course fee and will pay a deposit of $610). The balance of the course fee, a further $2150, will be payable in two further instalments of $1075 on 1 August and 1 September respectively. You will be sent a link for payment options closer to the time. Refunds are not available for those who miss sessions or drop out of the course.

Please note in the event of unforeseen circumstances, courses - including tutors and venues - may be subject to cancellation or change.

Faber Anthology 2016